The Moveo Diploma programme

Physical theatre school in Barcelona

Classes Moveo Diplomatura

PROFESSIONAL THEATRE COURSE IN BARCELONA

The MOVEO Centre offers full-time professional theatre training, specialising in physical theatre.The primary aim of this training at our physical theatre school in Barcelona is for students to acquire the knowledge and methods that enable them to use their physicality as a central element of creation and performance.
Furthermore, this full-time training enables the development of methodologies so that stage movement reflects the forces at play in a theatrical situation, whether dramatic or non-dramatic (relationships, mood, conflict, desire, etc.). The performer’s body is at the service of their imagination and is placed at the centre of the drama, thus becoming the focal point of theatrical creation.

Diploma - 2 Years

The curriculum for our 2-year physical theatre Diploma Course is divided into 6 trimestral blocks.
Each block includes our main subjects: technique, improvisation, composition, and repertoire, alongside creative practice in blocks 3 and 6.
This is a specific, professionalising training programme in the performing arts focused on dramatic corporeal mime. In addition to these, this professional training programme in Barcelona includes complementary subjects such as contemporary dance, physical training, and vocal work, enriching the students’ creative and expressive possibilities.

Specialisation Programme

The specialisation programme (3rd year)  allows students to complete their physical theatre training through a self-directed creative project. Under the mentorship of the Moveo teaching team, this year fosters the development of artistic collaborators and provides a launchpad for emerging physical theatre companies.

Based on the dramatic body mime developed by Étienne Decroux and with the aim of training students in contemporary physical theatre, our theatre school in Barcelona provides a solid foundation for your artistic career in the performing arts.

Made up your mind?

Go to enrolment!

Physical Theatre School in Barcelona – the course:

The course is divided into two cycles

1st cycle: Diploma programme in dramatic corporeal mime (2 years)
This cycle can be undertaken as a full-year course or in quarterly blocks.

  • • 1st year: Introductory (750 hours)
  • • 2nd year: Advanced (750 hours)

2nd cycle: Specialisation programme (1 year)
– 3rd year: Specialisation (600 hours)

Each course lasts one academic year (October to June).

CURRICULUM

At our physical theatre school in Barcelona, we offer a comprehensive training in performing arts and physical theatre, aimed at developing both the technique and creativity of actors. Our theatre courses focus particularly on physical theatre and mime, providing a solid foundation for those wishing to explore new forms of stage expression. If you are looking for theatre classes to prepare you for a career in the arts, Moveo offers you a space to grow and create.

Study Pathways:

The main programme for organic development. It allows you to consolidate your physical language continuously and is the option with the lowest fee for an annual commitment.

* Moveo will always give priority to students who have chosen this pathway.

New for 2026-2027

The Moveo Diploma now includes a three-way creative and training exchange that will connect our students with performing arts students from two other European schools: Arts en Scène (Lyon, France) and the Freiburger Schauspielschule (Freiburg, Germany), driven by Plateforme de la jeune création franco-allemande.
The mobility programme includes:

  • October 2026 1-week meeting in Lyon
  • January 2027 1-week meeting in Barcelona
  • May 2027 1-week meeting in Freiburg

Block-based Programme

If you are unable to follow the annual itinerary, you can take 12-week blocks independently.

Curriculum subjects

Technique

Study of all those fundamental elements that allow us complete control of our body and its artistic expression. This includes physical articulation, the pursuit of dynamic and static balance, optimal weight placement during each movement, conscious spatial orientation, and the understanding and application of diverse rhythms and qualities of movement that bring the performance to life. The main objective of this technical focus is clear: we seek to significantly expand each student’s physical vocabulary.
At the same time, we aim to stimulate their imagination and open up new physical possibilities that allow them to explore and create freely. Ultimately, all this technical work aims to equip students with the necessary tools to successfully develop their stage work, both individually, where their personal expression is evident, and collectively, fostering coordination and joint creation within the field of dramatic corporeal mime.

Repertoire

As in any other artistic discipline, immersion in the repertoire is a fundamental foundation and an essential pillar for the student’s artistic journey and growth. The thorough study of this classical and modern repertoire takes place on an ongoing basis throughout the academic year. This constant practice not only reinforces the skills acquired, but also culminates in regular performances held within the school, offering valuable opportunities to experience stage presence and audience response.
The primary aim of this focus on the repertoire is, precisely, to place students in a real performance situation when faced with complex and challenging physical choreography. Through the practice of specific pieces, figures and movements, students are confronted with the need for physical precision and expressiveness, which are crucial. This intensive exposure to a rich and complex physical language is undoubtedly essential for a solid and comprehensive training in physical theatre.
At Moveo, we study a variety of representative pieces spanning different periods and styles of corporeal mime. Among the pieces in the classical repertoire, we find examples such as Le Menuisier (The Carpenter), La Lavandière (The Washerwoman), L’Usine (The Factory), La Femme-Oiseau (The Woman and the Bird), Le Combat antique (The Battle), Le Fauteuil de l’Absent (The Chair of the Absent One) and Le Toucher (The Touch). Furthermore, the postmodern repertoire includes works such as Le Journal (The Newspaper), La Table (The Table Piece), La Chaise (The Chair), Table Chaise et Verre (Table, Chair and Glass), which explore new forms and perspectives within this expressive art form

Improvisation

Improvisation is practised in various forms, solo, in duets or in groups: based on a dramatic situation, a technical prompt serving as a starting point for exploring movement, or as an open space for creating a physical portrayal of a feeling or a situation. Studying the rules of improvisation develops students’ sense of play and listening skills, placing them in a truly creative situation. It gives them confidence and a willingness to take risks when embarking on a creative process.

The objectives of studying improvisation are:

  • To facilitate the integration of technical concepts into a performance situation, by experimenting with or developing a dramatic situation.
  • To understand the conditions necessary for creating a stage situation: the physical conditions, commitment, risk-taking, listening skills and awareness that enable the creation of a ‘theatrical moment’.
  • To develop the performer’s creative flexibility, adaptability and ability to integrate the present moment on stage.
  • To develop methodologies for generating material during creative processes.

Composition

Composition brings together the study of the principles that help students organise and develop their creative processes, whether working alone, in pairs or in groups.
The aim is to stimulate each student’s creativity and broaden their knowledge of all aspects of the creative process. It is a vast field of study that encompasses the following elements:

  • Composition of the physical phrase
  • Dramatic articulation
  • Combinations of different stage elements (text, music, etc.)
  • Spatial relationships and causality
  • Rules for transposing an action
  • Metaphorisation of movement
  • Use of objects and props
  • Methodologies and principles of dramaturgy

Creative practices

During May and June, work at Moveo focuses intensively on the creation and production of a physical theatre performance, a practical culmination that allows students to apply and consolidate all the principles and elements studied throughout the academic year.
This crucial phase is a collective and immersive process. The performance is closely directed and guided by the Moveo teaching team, who accompany the students every step of the way. All students actively participate in the entire creative process, from the initial conception to the final performance. This includes not only performance, but also involvement in all aspects of stage creation, fostering holistic and experiential learning.
The starting point for these creations is diverse and stimulating. The performance can take many different forms: from the physical adaptation of a literary or cinematic work, where students are challenged to translate words and images into expressive, theatrical movement, to the creation of a completely original piece based on physical improvisations and explorations developed by the students themselves.
This approach not only hones their technical and artistic skills, but also develops their ability to work in a team, their leadership skills and their problem-solving abilities within a creative environment.
The culmination of this intense creative period comes with the public performance of the show in a theatre. This real-world experience in front of an audience is an essential part of the training at our physical theatre school, offering a platform for students to experiment with different techniques and creative approaches, and to validate their work in a pre-professional context.

Complementary subjects

At Centro Moveo, we view physical and stage training as a holistic process. The complementary subjects do not function as isolated disciplines, but as languages that engage in dialogue with one another and enrich the core practice of corporeal mime.

Each subject provides specific tools to develop a more responsive, sensitive and creative body, capable of adapting to different dynamics of movement, presence and communication. The pedagogical aim is not merely to acquire technique, but to expand each student’s body awareness, listening skills and expressive capacity.

Physical Training

Physical capacity is enhanced through play and creative imagination. The aim is to avoid mechanical repetition in order to discover new ways of moving. Strength and agility are trained to optimise the use of energy. The module includes learning the basics of floor acrobatics.

CONTEMPORARY DANCE

Movement techniques are used to achieve a flexible and responsive body. Learning is applied in choreographic sequences that traverse the entire space. contact is explored to share weight and timing with fellow students. The main focus is on active listening and adaptability between bodies.

VOCAL WORK

We work on breath awareness and release to expand the vocal range. We delve deeper into stage presence and the genuine desire to communicate the spoken word. Creative play is used to explore various intentions and registers. All learning is ultimately channelled into serving the text material.

Development of the plan

FIRST YEAR: Body, form and creation (Introduction)

The aim is for students to integrate technical foundations with creative practice simultaneously. Formality acts as a catalyst: creation does not arise from nothing, but from formal guidelines that may seem limiting yet serve as catalysts for creation. Formal work helps us understand what we wish to express.

SECOND YEAR: Performance, autonomy and system (Advanced)

The technical and artistic requirements increase. Concepts are assimilated to be internalised and connected, providing a deep and comprehensive understanding of the system and its relationship to theatricality.

 

FIRST year

  • BLOCK 1: Methodology and Triggers
    • Technique 1: Technical foundations of Dramatic corporeal mime (articulation, weight, rhythm).
    • Improvisation 1: Foundations of improvisation and situational exploration.
    • Repertoire 1: Study of figures and short pieces.
    • Creation 1: The limit as a creative driver based on physical guidelines.
  • BLOCK 2: Stylisation and technical complexity
    • Technique 2: Technical development, increased speed and complex combinations.
    • Repertoire 2: Technical application to stylisation (counterbalances, dynamic rhythm).
    • Creation 2: Technical understanding through duet creation.
    • Improvisation 2: Working with improvisation as a creative methodology.
  • BLOCK 3: Final Show 1

    Prerequisite: blocks 1-2

    • Intensive devising practice concluding with a public presentation. DIrected by the Moveo teaching team.

second year

  • BLOCK 4: Technical awareness and responsibility
    • Technique 3: In-depth understanding of the system and collaboration in Circular Pedagogy.
    • Repertoire 3: Improving stylisation and work on the artistic body.
    • Creation/Improvisation: Composition methods and exploring new creative territories.
    • International mobility: Educational exchange with schools in France.
  • BLOCK 5: Performance and new territories
    • Repertoire 4: The piece as an autonomous artistic act with its own space.
    • Technique 4: Complex technical integration and cross-disciplinary relationship with creation.
    • Creation 4: Collective projects in unconventional spaces or on the street.
  • BLOCK 6: Final Show 2

    Prerequisite: blocks 1-2-3-4-5

    • Final project focused on professional development and large-scale staging.
    • Mobility: Educational exchange in Germany.

We Explain It in a Video

Everything you need to know about our Diploma program:

Deciding to undertake comprehensive professional training in the performing arts is undoubtedly a significant life moment, but it also typically brings up many questions and reflections. Choosing where you will train your body, mind, and creativity over the coming year or years will shape your career path. That is why we have created this space on our website dedicated exclusively to addressing the most frequently asked questions about our Physical Theater Diploma, which both our team and students affectionately call “la diplo”.

Subtitles in English

preguntas diplomatura

Teaching Staff

The teaching team of the Moveo physical theatre school in Barcelona is made up of highly qualified professionals in corporeal mime, physical theatre, movement and performance. Furthermore, the school’s physical theatre training is enriched by collaboration with experts from other disciplines, thereby broadening the range of training opportunities on offer.

All members of the team are practising professionals, whether in directing, acting or choreography. This constant connection with the professional world ensures that the teaching remains up-to-date and relevant for students.

This diversity and experience within the teaching team ensure a comprehensive, high-quality education for all Moveo students.

physical theatre school in Barcelona
STEPHANE LEVY
physical theatre school in Barcelona
SOPHIE KASSER
physical theatre school in Barcelona
OLIVIER DECRIAUD
physical theatre school in Barcelona
LAIA CAMPAMÀ
physical theatre school in Barcelona
+ PAU GARCIA
physical theatre school in Barcelona
WONG CHUM HIM (Bosco)
physical theatre school in Barcelona
+ NEILOR MORENO
physical theatre school in Barcelona
+ AIDA OSET
physical theatre school in Barcelona
+ Cecilia Colacrai
physical theatre school in Barcelona
+ ALMA STEINER

METHODOLOGY

METHODOLOGY OF THE PHYSICAL THEATRE TRAINING IN BARCELONA

The Moveo theatre school offers training in the performing arts. It is therefore essential that students, within a physical theatre school, are able to engage with the experience of performing on stage and the reality of working in front of an audience, whether it be the rest of their study group or an external audience.

The methodology for each learning module involves a continuous alternation between phases of technical study and performance phases. These performances also provide an opportunity for students to receive ongoing feedback on their work. Each module concludes with a performance, which may or may not be open to the public.

The fundamental objective of the professional physical theatre course and the Moveo training programme is to integrate all the learning modules to generate a cross-disciplinary understanding of the various skills required of the actor/actress and physical theatre creator. Each level of the physical theatre diploma concludes with a public performance directed by Moveo’s teachers. During the course, students work in various formats: whole-group projects, divided by level, or in small groups.

Diplomatura Moveo - formación profesional en artes escénicas en Barcelona
curso de teatro en barcelona

Calendar and Prices

Course Duration: October to June

  • Term 1: October 1 to December 18, 2026

  • Term 2: January 8 to March 19, 2027

  • Term 3: March 30 to June 25, 2027

Course Timetable: Monday to Friday from 9.45 am to 2.00 pm.

* The space remains open for independent practice until 16:30.

Enrolment Method Total Price Breakdown
Annual Course (3 Blocks) €3,355 €1,118 / block
Registration for 2 Blocks €2,500 €1,250 / block
Registration 1 Block €1,350 €1,350 / block

Payment methods

Subject to agreement with the centre, payment may be made in instalments on a quarterly or monthly basis. For first- and second-year students who pay in a single instalment, a 5% discount will be applied (once the deposit has been deducted).

Enrolment requirements

To undertake Blocks 3 (Show 1) and Block 6 (Show 2), it is compulsory to have completed the previous technical blocks at the same level. To gain direct access to Block 4, a placement test is required.

Holiday Period

Throughout the academic year there are various holiday periods, the exact dates of which are determined by the official calendar set by the Generalitat de Catalunya for each year, which also sets out a series of public holidays that will be specified in the Student Guide that MOVEO will provide you with upon enrolment.
– Christmas (approximately between 20 December and 7 January)
– Easter (10 days between March and April)

Confirmation and booking of your place

Once you have been accepted into our physical theatre school in Barcelona, in order to secure your place you must pay a deposit, which will be at least the amount corresponding to one month’s tuition plus the school insurance. (For example, for the first year of the 2026–2027 academic year, the deposit will be €395). This amount is not an additional registration fee, but is included in the total course price already stated.

frequently asked questions

GENERAL INFORMATION

The Moveo theatre school specialises in Physical Theatre and corporeal mime (based on the work of Étienne Decroux). The aim is for students to acquire the knowledge and methods to use their physicality as the central element of stage creation and performance.

The course is taught mainly in Castilian (Spanish).

It is advisable to have a minimum of experience or knowledge of the performing arts in general. However, the school considers all applicants, as interest and motivation are key factors.

Yes, the school fosters an international atmosphere and welcomes students of various nationalities.
Since its inception, the Moveo Diploma has welcomed students from over 15 different countries.

ADMISSION PROCESS

The process consists of several stages:
1. Online Application: Submission of CV, personal statement, video material and letter of recommendation (optional).
2. Trial Class / Assessment: Attend a class from the programme in person (before May) or complete an intensive course.
3. Personal Interview: Conducted to assess the application (in person or online).

You can start the registration process here

If you are unable to attend in person, you must indicate this on the application form. In this case, you will need to submit a video of one of your works as part of your application, and the personal interview will be conducted online.

The application period opens in January for the course starting in October.

COST AND PAYMENTS

STUDY OPTIONS Total
Annual
(3 Blocks)
3,355 €
2 Blocks 2,500 €
1 Block 1,350 €

Yes. Payment can be made in instalments (quarterly or monthly). In addition, a 5% discount applies if the full course fee is paid in a single instalment

Moveo does not offer internal scholarships. However, international students may apply for international mobility programmes in their home countries. Moveo will provide the necessary documentation once the student has been accepted.

FLEXIBILITY AND LOGISTICS

If you are unable to attend in person, please indicate this on the application form. In this case, you will need to submit a video of one of your works as part of your application, and the personal interview will be conducted online.

Yes. The new modular structure allows you to take individual blocks lasting one term (approx. 3 months). This makes the course more accessible to international students with tourist or short-stay visa restrictions.

To take Blocks 3 (Performance 1) and Block 6 (Performance 2), you must have completed the previous technical blocks at the same level.

To gain direct access to Block 2, the student must demonstrate a basic knowledge of corporeal mime or physical theatre by having completed prior training at Moveo or externally in this field.

To gain direct access to Block 4, an audition is required.

Booking for the first block is made by paying the initial deposit. For students already enrolled who wish to continue to the next block, confirmation and booking take place in week 6 of the current term.

ADMISSION FOR THE 2026-2027 ACADEMIC YEAR

The selection process for our diploma course consists of the following stages:

1. Complete the online application form, attaching the following documents to the form at the bottom of this page:

  • Your CV
  • A personal statement
  • A letter of recommendation
  • Some video footage of your work, even if it is not professional (it can be amateur or academic)

2. Take part in one of our classes*:

  • By attending a class on the diploma programme (before May)
  • By taking one of our courses. Email info@moveo.cat to find out which ones you can take.

* If you are unable to attend the centre in person before the study period covered by the Diploma programme, please indicate this on your application form.

3. Attend a personal interview, which can be in person or online, so that we can assess your application.

Although the course is taught in Spanish, we accept applications in Catalan, English and French.

The application period opens in January for the academic year starting in October. However, you can contact us at any time of the year with any questions you may have.

If your application is successful, we will guide you through the steps to officially secure your place.

APPLICATION FORM

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